We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

Divertimento Für Streicher Bb 118

Violin

This item has a minimum purchase quantity.
KOMPONIST: Béla Bartók
VERLAG: Breitkopf und Härtel
PRODUKTFORMAT: Einzelstimme
INSTRUMENT GROUP: Orchester
In the summer of 1939, Béla Bartók traveled to Switzerland to compose the "Divertimento for String Orchestra" within the two weeks in which he enjoyed the hospitality of his patron Paul Sacher. Inspired by the convivial atmosphere there, he felt like an "old-world musician." The Divertimento is
57,00 €
inkl. MwSt.
9,50 €
Each
Auf Bestellung
Gewöhnlich versandfertig in 10 Tagen
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Spezifikationen
Subtitle Violin
Komponist Béla Bartók
Herausgeber Ulrich Mahlert
Verlag Breitkopf und Härtel
Instrumentierung Streichorchester
Produktformat Einzelstimme
Instrument Group Orchester
Genre Klassik
ISMN 9790004342343
Serie Breitkopf Urtext Edition
Mindestbestellmenge 6
Seitenzahl 16
No. BRKOB556316
Part {Instrument} Violin
Definitive Duration 00:23:00
Beschreibung
In the summer of 1939, Béla Bartók traveled to Switzerland to compose the "Divertimento for String Orchestra" within the two weeks in which he enjoyed the hospitality of his patron Paul Sacher. Inspired by the convivial atmosphere there, he felt like an "old-world musician." The Divertimento is Bartók’s highly original contribution to this traditionally entertaining genre of music. The title and three-part structure with two dance-like, vital outer movements allude to Mozart’s time, whereas the cheerful alternation between solo group and tutti in the final movement tie up with the Baroque concerto grosso principle. Only the burnished glow of the middle movement suggests that Bartók found little of comfort in the world of his time just a few days before the outbreak of World War II. The "Breitkopf Urtext" edition is based on Bartók’ autograph and the first edition of the score, which he meticulously revised. Subsequent emendations noted by Bartók in his personal copy were taken into account.
    Laden
    Laden