Sanctuary
KOMPONIST:
Stacy Garrop
VERLAG:
Theodore Presser Company
PRODUKTFORMAT:
Stimmensatz
INSTRUMENT GROUP:
Kammerensemble
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall manymoments of my early life involving my father. Too many
Spezifikationen
Komponist | Stacy Garrop |
Verlag | Theodore Presser Company |
Instrumentierung | Violine, Cello und Klavier |
Produktformat | Stimmensatz |
Instrument Group | Kammerensemble |
Style Period | Post 1901 |
Erscheinungsjahr | 2017 |
Genre | Gegenwartsmusik |
Style Period | Post 1901 |
Seitenzahl | 36 |
No. | THE114-41825M |
Release Date | 12.06.2017 |
Definitive Duration | 00:23:00 |
Beschreibung
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall manymoments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from variousfamily members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasnt so much about my father as it was about my re-discovering the man thathe was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater andpuppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, Idecided to musically tell the story of my search for these memories. In the first movement ("Without"), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series ofthemes, including a "stepping" motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate "longing" theme. The childs search becomes increasingly intense throughout the movement, calling out ferventlyand repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment ("Within") quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin)has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.